Russ’s Art Blog: Resistance, or The Black Idol
This is Frantisek Kupka’s Resistance, or The Black Idol, which despite it’s fairly simplistic idea is still a striking piece.
This is Frantisek Kupka’s Resistance, or The Black Idol, which despite it’s fairly simplistic idea is still a striking piece.
This is Lord Frederick Leighton’s “And the sea gave up the dead which were in it”, a piece that caught my eye when I was looking for something else (which is often the case).
This is N.C. Wyeth’s Gunfight (1916. Oil on canvas, 34″ x 25″), a piece that really caught my eye when we were going through the museum.
This is Frederic Edwin Church’s The Icebergs, and you may be reminded of Dan Simmon’s recent book The Terror.
This is Edd Cartier’s cover for Unknown Fantasy Fiction, December 1939, and is a striking piece in both execution and in idea.
I was actually doing some searching for a few pieces by Vasily Vereshchagin, and I decided to look around a bit at some of the other Russian artists.
It’s been awhile since I’ve written an art blog, which I’ve done off and on for a few years. I usually discuss a piece of art, almost always one that I like myself, and give the world my thoughts on it.
I don’t get to art museums and galleries enough, but it can really give you a different impression of a piece of art. In this case, last week I was at the Phoenix Art Museum and saw the piece here, Pollice Verso (Thumbs Down) by Jean Leon Gerome (oil, 1872, Read more…
We’re back on a single piece of art this week (since I couldn’t decide on a different topic), this time it’s John Everett Millais’ The Blind Girl (Oil on canvas, 1854-1856, 32 1/2″ x 24 1/2″). It’s one of those pieces where the title really does impact what you see Read more…
This week, I’m talking about artist Gregory Manchess (www.manchess.com), one of those artists who seems to be able to fit into any genre. Whether it’s work for movies or television, books or magazines, or even just fine art, Manchess has a great ability to capture different ideas in interesting and Read more…
This week we’re back to a piece of art, in this case Franklin Booth’s War on the Tiger (ink, 1908). I’m a huge fan of ink and engraved works, and Booth was a master of the pen. He is one of the most influential ink artists ever, and his techniques Read more…
As I mentioned last week, I’m hoping to change things up a little with the art blogs, and offer more than just a “piece of the week”. I’ll be featuring artists sometimes that you may be familiar with, if not in name than in work. This week, I’m going to Read more…
This is Jean-Léon Gérôme’s The Duel After the Masquerade (1857, Oil, 20″ x 28″), a piece I came across when I was actually looking for another of his works (this one, which may come up again in the future). It struck me as an interesting piece, and a much different Read more…
This is Thomas Cole’s Expulsion – Moon and Firelight (1828, Oil on canvas, 35 7/8 in x 47 7/8 in), one of those pieces that I find very inspiring. It’s a bit different than the images by Cole that I normally cite (like his Course of the Empire series, check Read more…
This is Frederic Remington’s Moonlight, Wolf, (1909; oil on canvas, 20 1/16 x 26 in), a bit of a different image from the typical Remington western art you’d see. Much of the effect had to do with Remington’s life. Many of his western works appeared before the Spanish-American War, and Read more…