This Week's Art
Russ’s Art Blog: Bierstadt, and seeing it in person
I’ve seen many Bierstadt works in art books (and a handful in person), and I think he had a real knack for capturing the feel of the wild.
I’ve seen many Bierstadt works in art books (and a handful in person), and I think he had a real knack for capturing the feel of the wild.
This is Lord Frederick Leighton’s “And the sea gave up the dead which were in it”, a piece that caught my eye when I was looking for something else (which is often the case).
This is N.C. Wyeth’s Gunfight (1916. Oil on canvas, 34″ x 25″), a piece that really caught my eye when we were going through the museum.
This is Frederic Edwin Church’s The Icebergs, and you may be reminded of Dan Simmon’s recent book The Terror.
We’re back on a single piece of art this week (since I couldn’t decide on a different topic), this time it’s John Everett Millais’ The Blind Girl (Oil on canvas, 1854-1856, 32 1/2″ x 24 1/2″). It’s one of those pieces where the title really does impact what you see Read more…
This is Franz Von Stuck’s Sin (1893, Oil on canvas, 35″ x 21″), which may get my vote for having perhaps the most accurate title of an art piece I’ve seen. I like the color choices and palette here that Von Stuck used, or rather a lack thereof. Read more…
Ok, so my “little break” was more like a couple of weeks. Add “extreme coughing from the lungs” to “Post-Las Vegas” and there you go. But I’m back, and this one is an interesting one for me. It’s one of the first art pieces that I really took something from, Read more…
Before I brand myself as either only liking realistic art or only posting neoclassic/romantic art, I thought I’d add a little different look. This is George Bellows’ Club Night (aka, Stag Night at Sharkey’s; 1907, Oil on canvas, 43 x 53 inches), a “looser” image than I’ve been posting so Read more…
This is Thomas Cole’s Expulsion – Moon and Firelight (1828, Oil on canvas, 35 7/8 in x 47 7/8 in), one of those pieces that I find very inspiring. It’s a bit different than the images by Cole that I normally cite (like his Course of the Empire series, check Read more…
This is Frederic Remington’s Moonlight, Wolf, (1909; oil on canvas, 20 1/16 x 26 in), a bit of a different image from the typical Remington western art you’d see. Much of the effect had to do with Remington’s life. Many of his western works appeared before the Spanish-American War, and Read more…
This is Edward Poynter’s Faithful unto death (1865, Oil on canvas, 61″ x 29 3/4″), a piece of art that is not only is a strong image, but shows an accurate and interesting historical uniqueness. Many of Poynter’s works are historical, and this was one of his very first ones. Read more…
Here’s another week of art commentary, please let me know your thoughts on the art or other comments, and I will be posting this on my MySpace as well. This is Arnold Bocklin’s Self-portrait with Death Playing the Fiddle (oil on canvas, 1872). I like alot of Bocklin’s work, and Read more…