It is not a small painting, which is certainly part of it. Doré’s La Famille du Saltimbanque: L’Enfant Blessé is over six feet tall, and seeing it made me literally stop in my tracks. Those are the moments I live for, the very reason why it is important to see art in a museum or gallery.
The transcendent experience of seeing an original piece of art in a museum is substantially better than any reproduction could possibly be. Seeing the original artwork in a museum offers reflection, education, and admiration that a reproduction can not provide. The unique crafting of the original artwork piques interest for further works by the artist, and similar artists and movements, far more than any reproduction can match. This article was originally written for my classwork with CSU-Global, a portfolio project. I have adapted it from a strict APA style to a more web-friendly style.
Awhile back (and by “awhile back” I mean “over a year ago”) I wrote an art blog of Frederic Edwin Church’s beautiful painting called The Icebergs (check out the blog here… I”ll wait.) I won’t bore you with the specs again (I’ll be boring you with other ways now), but Read more…
Imagine then how absolutely amazing it was for me to walk into the Thomas Cole Room at the Wadsworth Atheneum
One of the nice things about being in an art museum is the chance to take in a surprise painting, one that you didn’t expect to see.
I don’t often get to art museums, so I make the most of it when a chance comes up (save for the Denver Art Museum, which is only an hour away). I think, though books and the web can certainly show you art you’ve never seen before, that being in Read more…
I’m still getting settled into our new house, but I thought I’d best post something (just so no one thinks I died or anything). These photos were taken on our trip to New Mexico in May, and I thought they turned out pretty well. These in particular are from Santa Read more…