Artwork
Ink: Nightmare
Nightmare, based on the creature from The Twilight Zone film (Nightmare at 20,000 feet); ink and color ink wash, 5″ x 7″ on 140 lb. Cold Press.
Nightmare, based on the creature from The Twilight Zone film (Nightmare at 20,000 feet); ink and color ink wash, 5″ x 7″ on 140 lb. Cold Press.
While I was in Austin, Texas, for the World Horror Convention, I had a bit of time to kill before checking in. I decided to sketch some things first for projects that I have in play, and after that I decided to create another ink card. Now, the main motivation Read more…
The Devil’s Backbone, ink and color ink, 5″ x 7″ on 140 lb. Cold Press. Based on the character Santi from the film El espinazo del diablo (The Devil’s Backbone).
Since last night’s ink card (see it here!) was a bit on the dark side, both figuratively and literally, I thought I’d something different with today’s ink card. Today’s ink is of “The Spaniard”, the temporary nickname for the character of Maximus in the film Gladiator. I chose it not Read more…
As I’m jumping back in on the art thing this week (see the previous article), I wanted to try something, well, harsh. I wanted to try and create an ink card that was very dark, and really only show the barest of highlights. It’s tricky for sure, and to be Read more…
It’s not really a well-kept secret that I like the scary stuff. So, when I was looking to create a new ink work for the end of the week, I ended up with a scary figure. Now, in this case, it may or may not look that scary. The character Read more…
Since yesterday’s art was more on the horror side of things, and I’m working on a horror book cover, I think my brain wanted to play nice with this new ink card. This one is back to what I have been doing, 5″ x 7″ ink on 140 lb. Cold Read more…
I decided I was getting too comfortable with my new inks, and I thought I’d try a new experiment. I think it’s important as an artist not to get too comfortable with what you are doing, as complacency can often lead to boring art. So, what I would tell all Read more…
Sometimes when I’m thinking of doing some art, I get a good idea going. Some concept, or some particular scene grabs me and I want to get art made of it. Today was no different, as I’d had an idea for another ink work based on some old noir films. Read more…
Death From Below;
Digital; published as the second endpaper for the novella Scratch by Brian Keene (Cemetery Dance, 2009);
Companion piece to “Death From on High”, also on this site.
Death From On High;
Digital; published as the first endpaper for the novella Scratch by Brian Keene (Cemetery Dance, 2009);
Companion piece to “Death From Below”, also on this site.
I decided that it might not be a bad idea to take a step back and look at the inks I’ve been working on. For those that haven’t been following (I know, I know, no one has been), I started doing ink cards and ink works late last year as Read more…
I decided that I should take a break from inking monsters, and try something that has less texture to it. Texture is fun with characters, but I want to challenge myself by working with images that don’t necessarily have a lot of texture in the important areas. Case in point, Read more…