Artwork
A new art promo for my art for Brian Keene’s Scratch
Having done the artwork for the book, I decided to do a promotional “layer-by-layer” video for YouTube.
Having done the artwork for the book, I decided to do a promotional “layer-by-layer” video for YouTube.
I still get the occasional question from folks who want to buy a print of my work. So, I thought I’d ask if any of the below pieces would be good print choices.
I’m working on a Flash book trailer for a client (you’ll see soon enough, it’s not a small client), and for testing with converting Flash animation to video I decided to create a promo for my own art. After a number of unique issues (I’m looking at you, Kaspersky), I Read more…
Ok, so it’s been a little while since the last one of these art blogs. I’ll see if I can’t post a few more of them, and without the 4 months between them. Above is Ivan Aivazovsky and Ilya Repin’s Pushkin’s Farewell to the Sea (1887, Oil on canvas), Read more…
The new issue of Cemetery Dance Magazine (#61) has a new piece of art by yours truly, for a story by Peter Straub. I’ve been anxious to post it for quite awhile.
I tend to experiment quite a bit with different ideas and looks, but here’s a general usage idea for textures.
I’m still getting settled into our new house, but I thought I’d best post something (just so no one thinks I died or anything). These photos were taken on our trip to New Mexico in May, and I thought they turned out pretty well. These in particular are from Santa Read more…
This isn’t just a wave coming in, or the rising tide. The water is alive, and is fighting everything in its path.
I’ve run across a number of Elihu Vedder’s pieces before, and this one is one of my favorites. This is Vedder’s, The Questioner of the Sphinx, a piece that for me is always inspiring.
I’ve seen many Bierstadt works in art books (and a handful in person), and I think he had a real knack for capturing the feel of the wild.
In the late 90’s and early oughts’, I dabbled in the idea of producing simple architectural design prints.
I’ve been picking away at a color sketch in Photoshop, and I think it’s finally done. I try to do pencil sketching, ink and crosshatching practice and Photoshop/digital sketching and manipulation each week just to get new ideas rolling around in my head. Sometimes they work, other times not so Read more…
This is Frantisek Kupka’s Resistance, or The Black Idol, which despite it’s fairly simplistic idea is still a striking piece.
This is Lord Frederick Leighton’s “And the sea gave up the dead which were in it”, a piece that caught my eye when I was looking for something else (which is often the case).
In trying out new ideas, the topic a few weeks ago was “Post-Apocalyptic Survival Bunny”, which I thought sounded like a lot of fun.