Here’s another week of art commentary, please let me know your thoughts on the art or other comments, and I will be posting this on my MySpace as well.
This is Arnold Bocklin’s Self-portrait with Death Playing the Fiddle (oil on canvas, 1872). I like alot of Bocklin’s work, and I’m becoming a big fan of the Symbolist movement as well probably because of his work.
There is a nice sense of story to this piece, especially in the man’s interest in what the spectre is saying (or playing on the fiddle). It’s a great look on his face, like he’s getting some inside information on how to proceed. Almost like a guru over his shoulder, the spectre seems to be giving Bocklin (in the picture anyway) a plan for his next move.
I take it that the spectre is much like Bocklin’s muse. Much of Bocklin’s work is dark, and the symbolism he uses often touches on topics like war, pesitlence and horror. The spectre as muse idea is amplified by the use of the fiddle, as if giving a sweeter sound to the horror the spectre is pushing.
The layout works very well too, as the locations and color choices help bring your eye right to Bocklin first, then the spectre. Bocklin and his artistry is the centerpiece of the image, but the spectre adds an eerie layer underneath it all, more subtle in color and shading but just as strong.
Opinions?
Russ
This Week’s Art: Arnold Böcklin
Published by Russell Dickerson on
Here’s another week of art commentary, please let me know your thoughts on the art or other comments, and I will be posting this on my MySpace as well.
This is Arnold Bocklin’s Self-portrait with Death Playing the Fiddle (oil on canvas, 1872). I like alot of Bocklin’s work, and I’m becoming a big fan of the Symbolist movement as well probably because of his work.
There is a nice sense of story to this piece, especially in the man’s interest in what the spectre is saying (or playing on the fiddle). It’s a great look on his face, like he’s getting some inside information on how to proceed. Almost like a guru over his shoulder, the spectre seems to be giving Bocklin (in the picture anyway) a plan for his next move.
I take it that the spectre is much like Bocklin’s muse. Much of Bocklin’s work is dark, and the symbolism he uses often touches on topics like war, pesitlence and horror. The spectre as muse idea is amplified by the use of the fiddle, as if giving a sweeter sound to the horror the spectre is pushing.
The layout works very well too, as the locations and color choices help bring your eye right to Bocklin first, then the spectre. Bocklin and his artistry is the centerpiece of the image, but the spectre adds an eerie layer underneath it all, more subtle in color and shading but just as strong.
Opinions?
Russ
Related Posts
This Week's Art
This Week’s Art: Herrán’s “El Ciego”
I look at a lot of art, which I realize is an immense surprise to the three of you that regularly read these articles. Whether it is art in books, or in galleries, or online, Read more…
This Week's Art
This Week’s Art: Insignificance in Booth’s inks
After being in awe for the hour, after what was supposed to be a quick minute checking out just one piece for this article, I came to the realization that many of Franklin Booth's ink pieces show something magnificent. With his intricate linework, wonderful composition, and hectic scene, I find it hard to look away.
This Week's Art
This Week’s Art: Sickert’s “The Camden Town Murder”
What I find fascinating about art is how much the idea of audience interpretation comes into play. Whether it’s a detailed illustration, or something abstract, there’s always a sense that good art brings the viewer Read more…